Padmaavat – with an “I” for beauty.!

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There are movies that look grand, there are movies that appear beautiful and there are movies that the likes of Ang Lee and #SanjayLeelaBhansali do – enchanting, beautiful and grander than the grandest! Hit the pause button at your will, and any frame that freezes is a plush rich painting!

I might be being a bit lavish in my praises for the movie – but that’s only because of the lavish experience that I had, while watching the movie – #Padmaavat!

 

Based on an epic poem #Padmavat of 15th century, considered as history by many and argued as fiction by many others, this ‘Padmavat’ is a visual poetry painted on screen!

Hmm… but take away the grandeur, the aesthetic beauty and you will see the holes underneath.

Screenplay is engaging, but not on par with the excellence that the rest of the departments have brought on screen! If only the screenplay had been improved by a notch or two – this could have been a timeless piece!

There are no surprises in the screenplay – the planned surprises are way too predictable. There are are no true turbulent journeys for the protagonists – there is no peaking success but only diving failure. For the antagonist it’s the polar opposite. All that he does is win, win and win..!
One of the important aspects (not like a rule of sorts) of screenplay is to make the audience empathize with the characters and make them find an alter ego in either or both of the protagonists. Yet, I repeat – It’s engaging!
Inspite of knowing the climax of the movie ( which everyone anyway knows), the portion does pull the right strings and puts an arrow right through your heart.!
However, this minor imperfection could also be because of the “cuts” that were ordered to facilitate the screening.
Other “minor” complaints are – #Padmavati termed as the most gorgeous beauty by the characters in the movie.

It becomes important to make the audience also feel the same. Amidst the stunning locales, sets and pretty women like #AditiRaoHydari#DeepikaPadukone in the role of Padmavathi does look beautiful, but not “out of the world beautiful”.

Had the glamour in the costumes, sets been toned down and had the other females looked less gorgeous, Padmvathi would have surely looked one of her kind beauty in the movie. (This is strictly my opinion).
#ShahidKapoor has acted well, but doesn’t look like a king who could inspire bravery and instill confidence in his citizens.

Or is it the side effect of being cast alongside energetic #RanveerSingh, who in the role of Khilji – has KHILLED it.!
If only he hadn’t gone overboard in couple of scenes and only if #Bhansalihad painted his scenes less beautifully, he could have had a terrorizing impact.

Well.. As I said these are only minor complaints. It’s like walking into an expensive restaurant, with state of the art interiors. The food might not be the best thing that you would have ever eaten, but you wouldn’t mind as long as it’s good and the ambiance is ‘never-experienced-before’ and ‘enchanting’. Had the food been great, it would have been a fulfilling experience!

Padmaavat is an experience to absorb! Not to undermine the efforts put by #Bahubaali, but for me this is the greatest cinematic effort to come out of Indian Industry. #SanjayLeelaBhansali as a film maker does inspire jealousy and makes you feel a lot inferior.
He has given us a text book of film making – where all the chapters might not be relevant, but ones that are relevant are the ones that are must learns.
PS: Call it my lack of knowledge, but I couldn’t understand how a movie which heaps praises on #Rajput valour and pride, offends them.!

AND IF YOU HAD THE PATIENCE TO READ THIS LENGTHY PIECE, YOU ARE INDEED GREAT.! 😀 😀 Couldn’t even proof read it, such a lengthy one to give a second read..! 😛

 

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