Dear Zindagi – A Detailed Analysis

dear-zindagi

It’s been long since I have written a detailed analysis of any movie – could be because none of the watch was motivating enough for me to write or could be that I haven’t watched some of the best movies that got released in the recent past.

“Dear Zindagi” – The latest offering from Gauri Shinde, stands as a testimony for the earlier accolades that she had received for her first outing – “English Vinglish”.

Being an ad filmmaker that she is, it’s for sure that every frame of the movie would be tidy – spick and span, Abundance of light and props only adding to the aesthetic decorum.

The movie might not be inspired from them, but it does remind you of “Good will hunting” and “Dead Poet’s Society” in parts.

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Plot:

The movie revolves around the life of a female cinematographer Kaira (the loveable Alia), going through a phase of “Distress and Desperation” and how she, with the help of a psychiatrist Dr Jehangir Khan (our dear SRK) manages to overcome it.

It’s this very one lined plot of the movie, which manages to strike a chord with the audience with it’s personal touch.

“Phase of distress and desperation” is bound to visit everyone’s life, every now and then. The unwelcomed guest that it is, it does no gender biasing – treating men and women alike. That said, even I am not spared.

It’s highly improbable to prevent its visit, but what you could certainly do is – Mastering the art of getting yourselves out of it, as soon as you get into it.

At the surface layer it would appear that “Dear Zindagi” is trying to give life lessons on how you could help yourselves get out of the phase. But what it does in real is, asking us to identify our own specific ways of overcoming the distress.

Everyone has his/her sources of distress – job, love life, family, economy, social stigma etc. For Kaira, it’s her failed relationships and a childhood deprived of parental love.

Some of us are Kaira, some of us are Jehangir Khan and some of us are both of them. I think, audience identifying themselves with either or both these characters, is Gauri’s biggest victory as a writer and filmmaker

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Performances:

Time and again, Alia has reminded us that she is one of the best actresses that we have got. This movie is no exception. Wide range of emotions that she has brought on the screen, seemingly natural and pulled off with so much of an ease, proves her mettle as a brilliant actress.

Nothing could be more delighting than watching Shahrukh in such performance oriented roles – maintaining a good hand distance from his stardom. I can’t speak for others, but as a die-hard fan of his, I found him excellent in this role.

Angad and Kunal manage to impress in their brief appearances.

Yashaswini as Jackie, is also someone who might stay in your mind for quite some time, for her cute performance.

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MUSIC:

Amit Trivedi has worked magic with some of those numbers – that have shades of his earlier works in Lootera.

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WHAT COULD HAVE BEEN IMPROVED?

It’s of my personal opinion that the cinematographer part of her character has not been effectively written/ brought out. Several forced “superficial” elements put in to justify the cinematographer aspect. But that hasn’t done the movie any damage.

Her “childhood deprived of love” could have been much effectively depicted.

I don’t know if it exists for real – but the melodramatic family that she has including her uncle and aunt, appear far from real. I would discount that, considering it to be a creative liberty taken to entertain the audience.

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Bottom line:

You “might” like this movie, if you have loved – Good Will Hunting, Dead Poet’s society, Highway, Devil Wears Prada, Wake up Sid.

I wouldn’t say that every one of you might love the movie – A family that sat next to me, had their fair share of complaints.

But it’s certainly one the beautiful cinemas that I happened to watch in the recent past.

For the love towards SRK and for the love of Cinema…….!

-Chan

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